Name: Analógica de AUDIO a través de fibra - 2 Audios
Brand: Thorbroadcast
Price: 395 USD
Availability: InStock

Descripción

Analógica de Audio a través de una fibra Transmisor y el Receptor kit de ayuda a resolver el envío de audio no balanceada a través de largas distancias utilizando la Fibra óptica.

Tenemos varios modelos diferentes de apoyo 2, 4, 8,16 y 32 analógico audios.

El audio de fibra óptica, Transmisor convierte de Audio analógico de 20hz a 20Khz fibra óptica modulada flujo digital de lo que podrían ser transportados a través de modo individual o de fibra multimodo.(largo plazo disponibles)

La óptica del receptor convierte la se?al óptica de regreso a su original forma de Onda Analógica.

Ofrece una latencia muy baja de 1ms, por lo que es perfecta para eventos en vivo, espectáculos, conciertos, auditorios, etc

El peque?o factor de forma compacto y significa que puede ser utilizado para cualquier aplicación donde el cobre tiene una distancia limitada o problemas de ruido.

Aplicaciones:

Iglesias, Conciertos, Militares, Escuelas, Apatrments, Cines, TV por Cable, Auriculares, Estudio de TV, Estadios, o cualquier eventos en vivo

Caracteristicas

Conector del bloque de terminales

Punto a punto punto a multipunto aplicaciones de transmisión de

Monomodo o multimodo de fibra compatible

ST/PC conector de la fibra o diferentes por solicitud

Indicadores LED

Stand alone o de montaje en bastidor de hoja disponibles

A corto y largo plazo siganl el transporte de hasta 120Km - dependiente del modelo

Compacto y portátil de tama?o

600 Ohm Desequilibrada

Ancho de banda:	20Hz ~ 20KHz

Bits De Resolución:	24-Bits

Se?al-a-Ruido(SNR):	> 80 dB

Dibujos

Vídeo

Analog Audio fiber optic extender - balanced , unbalanced -Thor Fiber

2 or 4 or 8 or 16 or 32 unbalanced analog audio optical transmitter and receiver from Thor Fiber

Selección de modelo

F-XXA-TX-YY-ZZ

XX-Número de Audios

AA-Distancia en KM --- por defecto es de 20 km en singemode de fibra y de 2000 ft sobre fibra multimodo (40, 60, 80, 120 bajo petición)

F-2A-TxRx - 2 Desequilibrada Uni-Direccional Audios más de 1 fibra Transmisor y el Receptor kit

F-4A-TxRx - 4 Desequilibrada Uni-Direccional Audios más de 1 fibra Transmisor y el Receptor kit

F-8A-TxRx - 8 Desequilibrada Uni-Direccional Audios más de 1 fibra Transmisor y el Receptor kit

F-16A-TxRx - 16 Desequilibrada Uni-Direccional Audios más de 1 fibra Transmisor y el Receptor kit

F-32A-TxRx - 32 Desequilibrada Uni-Direccional Audios más de 1 fibra Transmisor y el Receptor kit

F-2A-B - TxRx 2 Desequilibrada Bi-Direccional Audios más de 1 fibra Transmisor y el Receptor kit - de modo Individual / multimodo:
Envía 2 Audios y Recibe 2 Audios, perfecto para la Intercomunicación de Audio o de comunicación en ambas direcciones

F-4A-B - TxRx 4 Desequilibrada Bi-Direccional Audios más de 1 fibra Transmisor y el Receptor kit - de modo Individual / multimodo:
Envía 4 Audios y Recibe 4 Audios, perfecto para la Intercomunicación de Audio o de comunicación en ambas direcciones

F-8A-B - TxRx 8 Desequilibrada Bi-Direccional Audios más de 1 fibra Transmisor y el Receptor kit

F-16A-B - TxRx 16 Desequilibrada Bi-Direccional Audios más de 1 fibra Transmisor y el Receptor kit

Especificación

Interfaz De Audio	Bloque de terminales
Audio impedancia de entrada/salida	600 ohm - desequilibrio
Audio de Nivel de voltaje	hasta 2V-pp
Nivel De Audio	0 dbm
Ancho de banda de Audio	10hz a 24.5 khz
Los Porcentajes De La Muestra	48 khz
Ancho de banda Digital	24 bits
SNR	mejor que 79db
THD@1khz	1%
Conector óptico	ST/PC ( otros conectores disponible bajo petición-extra de $)
De fibra óptica de la distancia	La unidad de Base soporta 2000feet 50/125u, 62.5/125u de fibra multimodo y hasta 20KM - 9/125u fibra monomodo (Otros distnces están disponibles bajo petición - extra de$ )
Longitud De Onda Óptica	1310 nm ( otros -1550nm o CWDM están disponibles por solicitud de extra de$)
El poder	5V DC
Poder Comsupcion	3W
Adaptador De Alimentación De	AC-90-240AVC / 5060HZ
Dimensiones :	7" x 6.5" x 1"
Temperatura De Funcionamiento	-20°C ~ +75°C
Peso	1lb
MTBF	más de 100.000 horas

Question and Answers

Question:

Do you have a Line Level Audio (analog) over Multimode Fiber in your product line? We need unbalanced audio mostly with terminal block interface. What options do we have for number of channels? The fiber distance is mostly less than a mile

Answer:

So in unidirectional format we have options from 2 Audio all the way up to 32 Audio.

We also have some bidirectional options as well.

The larger issue here is that multimode should be run anywhere near a mile.

Maybe It could work for very short distances.

Maximum I think multimode could carry the signal about 2000ft; but that would be in ideal conditions with almost no loss.

Keep in mind this generally has nothing to do with the units themselves, its the fiber. The same unit that can send a signal about 2000ft on multimode can send the same signal 20km on singlemode.

We do have a 30 day return policy, should you proceed with the purchase, and after installation realize this is not something that can be remedied with hardware, but actually needs to be re-pulled with new fiber.

Question:

What is the diference between Line level and Mic Level on the XLR fiber units

Answer:

The key differences between line level and mic level audio are related to signal strength, impedance, and the types of devices they are typically associated with:

Signal Strength:
- Line Level: Line-level audio signals are relatively strong and have higher voltage levels, typically ranging from around 0.3 to 2 volts. They are pre-amplified to a level suitable for processing or further amplification.
- Mic Level: Mic-level audio signals are much weaker in comparison. They are generated by microphones and have very low voltage levels, often in the range of a few millivolts. Mic-level signals are not pre-amplified and require external preamplification to reach line level.
Impedance:
- Line Level: Line-level signals have a low output impedance, typically ranging from 150 ohms to 600 ohms. This low impedance allows them to be transmitted over cables without significant signal loss.
- Mic Level: Mic-level signals have a high output impedance, usually in the range of 150 ohms to 250 ohms. This higher impedance requires a balanced microphone cable and a preamplifier with a matching input impedance to preserve signal quality.
Devices and Applications:
- Line Level: Line-level signals are commonly used to connect audio sources like CD players, DVD players, synthesizers, and audio interfaces to mixers, amplifiers, and recording devices. They are suitable for transmitting audio over relatively long cable runs.
- Mic Level: Mic-level signals are generated by microphones and are used for capturing audio from sources such as voices or acoustic instruments. These signals are typically sent to microphone preamplifiers to bring them up to line level before further processing or recording.

In summary, the primary difference lies in signal strength and the source of the signal. Line-level signals are strong and pre-amplified, suitable for connecting various audio sources to other equipment. Mic-level signals are very weak and require preamplification before they can be used effectively, typically for capturing audio from microphones. Matching the correct signal level and impedance is essential for ensuring optimal audio quality in professional audio setups.

Question:

I am wonder if somebody can help to cross match or provide an equivalent product for this analog to fiber device.

Audio-Transceiver-Fiber(M)

Item no. A1990031

Transmission system (transceiver) for analog and digital audio signals

Answer:

Yes, we have a whole line of products dedicated to audio over fiber.

https://thorbroadcast.com/products/analog-audio-video

We don't have an exact duplicate, but we do have very similar units that are definitely suitable as a substitute.

There is bidirectional XLR we have

https://thorbroadcast.com/product/xlr-audio-over-fiber-1.html/89

We also have bidirectional analog audio

https://thorbroadcast.com/product/analog-audio-over-fiber-1.html/66

Both of those should be good fits to replace the unit you have sent us.

Question:

If I need 2 channels of balanced audio, how do I wire the connector? Which pin is negative and which is shield?

on a 4 channel unit for 2 channels of balanced audio it’s –

Audio 1 + to pin 1

Audio 1 – to pin 2

Audio 1 Shield to Grd

Audio 2 + to pin 3

Audio 2 – to pin 4

Audio 2 Shield to Grd

Shared Ground Pin for the 2 Shields. Do I have this correct? Just wanting to be sure as my customer will be installing himself.

Balanced is always 3 wires. The shield (pin 1 of an XLR) would go where – to the ground (G) on the terminal block? That would make sense. Positive (pin 2 of an XLR) would go to in 1 of the terminal block, and Negative (pin 3 of an XLR) would go to in 2 of the terminal block.

For channel 2 we would use inputs 3 and 4 with the shield also being attached to the G on the terminal block.

I apologize for not comprehending something that may just be semantics, but in my almost 33 years of installing systems I have spent too many late nights troubleshooting. I will always ask until I have total clarity. I still have a very expensive piece of Thor gear that doesn’t work from 3 years ago because of such a circumstance.

Answer:

Now if you look at the terminal block there are 4 numbers + GND.

So you'll use 1 +2 for the first balanced audio

Then you'll use 3+4 for the second balanced audio

Finally use the GND to ground the unit. Same thing goes on the receiver.

I think looking at the picture makes it much easier to explain than verbalizing.

We do have also Balanced XLR Analog Audio Over fiber

https://thorbroadcast.com/product/xlr-audio-over-fiber-1.html/87

Documentos

F-2-4-8-16-32AUDIO USER MANUAL

F-2A-TxRx - QUICK SETUP

F-4A-TxRx - QUICK SETUP

F-8A-TxRx - QUICK SETUP

F-16A-TxRx - QUICK SETUP

F-32A-TXRX - QUICK SETUP

Disponibilidad:	En stock	Condición:	nuevo
Envío:	a partir de $10	Garantía:	2Yrs

Analógica de AUDIO a través de fibra

Descripción

Caracteristicas

Dibujos

Vídeo

Selección de modelo

Especificación

Question and Answers

Question: Do you have a Line Level Audio (analog) over Multimode Fiber in your product line? We need unbalanced audio mostly with terminal block interface. What options do we have for number of channels? The fiber distance is mostly less than a mile

Question: What is the diference between Line level and Mic Level on the XLR fiber units

Question: I am wonder if somebody can help to cross match or provide an equivalent product for this analog to fiber device. Audio-Transceiver-Fiber(M) Item no. A1990031 Transmission system (transceiver) for analog and digital audio signals

I am wonder if somebody can help to cross match or provide an equivalent product for this analog to fiber device.

Audio-Transceiver-Fiber(M)

Documentos

Question:

Do you have a Line Level Audio (analog) over Multimode Fiber in your product line? We need unbalanced audio mostly with terminal block interface. What options do we have for number of channels? The fiber distance is mostly less than a mile

Question:

What is the diference between Line level and Mic Level on the XLR fiber units

Question:

I am wonder if somebody can help to cross match or provide an equivalent product for this analog to fiber device.

Audio-Transceiver-Fiber(M)

Item no. A1990031

Transmission system (transceiver) for analog and digital audio signals